The kicker, however, is the rubber (faux leather? plastic?) edges. This is fine, other than the aforementioned durability problems. The back is made from a velvety material, which Apple refers to as “suede” in a few of its marketing. The design is also just uncomfortable to hold. I treated it how a phone case is meant to be treated. I tossed it in my backpack, took it in and out of my pockets, and tossed it on wireless chargers. I took my iPhone 15 Pro Max outdoors to do some camera testing but otherwise had a pretty low-key weekend.īut I didn’t “baby” the case either, and you shouldn’t have to. In the image above, you can see what my case looks like after less than 48 hours of use. The design of the FineWoven case is fundamentally bad. In fact, some time with the FineWoven cases in the real world made me even more disappointed. Well, that’s what I did this weekend, and my feelings didn’t change. I shared my thoughts on Twitter but refrained from posting anything more in-depth until I could spend some time actually using the cases with the cases on the iPhone 15 Pro Max. When I unboxed my two new FineWoven cases for iPhone 15 Pro Max, my first impressions were negative. You could pretty much stop reading the story at this point, but I’ll offer a few pieces of supporting evidence for my claims. Apple should remove them from sale and refund everyone who’s already bought one. Window Scaling: From 75% to 200%, the crisp Retina-ready interface fits your screen size and workflow.Apple’s new FineWoven cases for iPhone 15 are a huge swing and miss.Or push it to extremes with creative FX and Swell options. Smooth: Preserve transient punch with Percussive mode, and avoid clicks and pops on sustained material with Sustain mode.Loop Length: Set the Loop from 1/16 up to 8 bars – keep the original timing, stretch it to half speed, or create catchy new rhythms.Dry/Wet Mix: Blend the original and slowed audio.Band Solo: Hear just the slowed frequency range – use it to hone the effect, as a filter, or to blend using the Mix control.Band Split: Half-speed just the bass, treble or midrange for trippy effects.4x speed for drugged-out quad-time playback. 1.5x for perfect fifth harmonies and triplet rhythms. 3 speed Modes: 2x for the classic "half-speed" effect.Fade In/Out: Introduce the effect instantly, or fade in gradually, across up to 16 bars.Power button: Punch the large central button to activate the effect – automate in your DAW.Cableguys quality: Best-in-class downpitching DSP algorithms.Instant setup: Add the plugin – get an instant half-speed effect with no further setup. Try it out - download the demo and use HalfTime in your tracks today. Slow only the lows, mids or highs with the Band Split - generate deep bass movement, fatten midrange percussion, or flip your top-end on its head. Adjustable Loop length allows multi-bar slow-downs, funky syncopations and totally new grooves. Three speed Modes give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. The hands-on Power button makes it easy to fit HalfTime into your tracks - create a rapid switch or sink in slowly with smooth fades up to 16 bars. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds. Or go in deep with powerful creative controls. Just add the plugin for an instant half-speed effect with zero setup. Percussion thickens, expanding to reveal new rhythmic possibilities. Plinky piano lines become haunting slow-mo trap melodies. Lead synths mutate into heavyweight EDM bass monsters. HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.
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